Private Parties
Close-up moments, roaming energy and feature performance for dinners, estates and celebrations.
L.A.-based curated performance company / available nationwide
SuperEvolutionJuggler Total
We use juggling as performance, science and social practice. Tell us what needs to happen in the room — we curate the right format, people and level of participation.
You do not need to know which performer or format to hire. Send us the event, audience, objective, atmosphere and budget. SEJT builds from the room outward.
Tell us what needs to happen● Performance ● Science ● Social ● Private Parties ● Schools + STEM ● Weddings ● Brands ● Hotels ● Museums ● Corporate ● Cultural Institutions ● Nonprofits ● Festivals ● Teams ●
01 / PERFORMANCE
Make the room move.
Curated juggling, object manipulation and movement designed around attention, atmosphere and live energy.
ENERGY / HIGH PULSE 02 / SCIENCEMake the pattern visible.
Physics, mathematics, timing and embodied learning — from schools and museums to interactive public programs.
CLARITY / CURIOSITY 03 / SOCIALMake people participate.
Artist-led social circus for teams, schools, institutions, nonprofits and communities. Process before perfection.
CONNECTION / SHARED PRACTICE01 / PERFORMANCE
Not “hire a juggler.” Engineer a moment.
The performance is selected for the room. A cocktail hour, a fashion launch, a museum floor and a school assembly do not need the same energy — even when the discipline is the same.
THE BETTER BRIEF
Tell us what needs to happen in the room.AudienceAtmosphereTimingSpaceObjectiveBudget
Weddings
Arrival, cocktail hour, transition moments and destination celebrations that need a live pulse.
Fashion + Brand
Visual movement, custom object language and performance designed to live inside a launch or activation.
Hotels + Resorts
Programming for lobbies, restaurants, pools, terraces, openings and guest experiences.
Corporate
Stage features, ambient performance, receptions and interactive formats for teams and guests.
Museums + Festivals
Public programs, cultural spaces and events where movement can become spectacle, inquiry or participation.
01Ambient Roaming
02Feature Act
03Ensemble
04Custom Visual
05Workshop
06Interactive
ONE SKILL / MANY ROOMS
Performance. Science. Social.
The purpose changes the form.
SEJT does not force one act into every context. The same practice can become spectacle, demonstration, conversation or collective learning depending on what the room needs.
Hold attention without stopping the room.
Roaming work can create a pulse while conversation continues.
Turn projectile motion into something visible.
Flight time, apex, rhythm and pattern become embodied STEM material.
Give the group something real to practice together.
Dropping, repeating, observing and trying again become a shared process.
Build an image that moves through space.
Object, costume, rhythm and distance become part of the visual language.
Let the audience see the rule and the exception.
Performance can shift between spectacle and explanation without losing either.
Process before perfection.
The goal is not to produce the best juggler. The practice creates attention, dialogue and collective inquiry.
02 / SCIENCE LAB
Juggling isphysics inaction.
Every throw is a trajectory. Every catch manages impulse. Every pattern is a timing system. We use the science because it makes the practice more interesting — and because it creates a second way into the work.
y(t) = v₀sin(θ)t − ½gt²
More flight time creates more time for the other objects.
At the apex, vertical velocity approaches zero — the apparent pause is part of the rhythm.
More flight time creates more time for the other objects.
At the apex, vertical velocity approaches zero — the apparent pause is part of the rhythm.
Schools + STEMassemblies / workshops
Museumspublic programs
Eventsinteractive science
SEJT / PROJECTILE LABLIVE MODEL
Flight time—
Apex—
Range—
Objects3 / 5 / 7
SCENE 01 / THE THROW
The ball leaves the hand.
A throw creates time. The higher the object travels, the more room the hands have to do something else.
SCIENCE / PRINCIPLES
Throw / apex / catch / repeat.
Projectile motion explains the arc. Angular momentum explains spinning clubs. Impulse and soft catches manage force. Siteswap notation describes timing relationships between throws. The point is not to turn performance into a lecture — it is to reveal the intelligence already inside the movement.
01Jugglingballs / clubs / rings / bounce
02Object Manipulationvisual / unusual / technical
03Movementphysical / spatial / rhythmic
04Science FacilitationSTEM / museums / schools
05Social Circusdialogue / teams / communities
06Custom Visualbrands / campaigns / environments
07Ensemblemulti-performer / composed
08Special Brieftell us what should happen
HOW SEJT WORKS
The room comes first.
SEJT reduces the client's need to self-diagnose. You bring the situation; we translate it into the right performance, learning or participation format.
What should happen?
Audience, room, objective, atmosphere, timing, budget and constraints.
Understand the context.
We decide whether the need is spectacle, education, participation, or a combination.
Select the format.
Performer, ensemble, lab, workshop, social practice or custom visual.
Confirm the room.
Schedule, technical needs, interaction level, safety, aesthetics and logistics.
Make it live.
One direction, selected practitioners, and a format built around the objective.
PRIVATE ROSTER / APPLY
The roster stays curated.
SEJT works with selected jugglers, object manipulators, movement artists and facilitators. We are interested in technical control, strong visual identity, professionalism and the ability to understand context — not just tricks.
Submitting does not guarantee placement. The roster stays private and project-specific.
FAQ
Before you send the brief.
No. Performance is one pillar. SEJT also develops science/STEM formats and artist-led social-circus practice. The company curates the format around what the room needs.
No. Tell us the audience, objective, timing, atmosphere, location and budget. Curation is part of the service.
Yes. SEJT is L.A.-based and open to travel across California and the United States, depending on the brief and performer availability.
Yes. Science can be structured as a demonstration, interactive lab, workshop or performance-learning hybrid depending on age group, schedule and goals.
SEJT SOCIAL is facilitated, artist-led social circus. It uses concrete juggling practice to support dialogue, repetition, observation and collective learning. It is not therapy or diagnosis.
BOOK / PROGRAM / COLLABORATE
Tell us what needs to happen in the room.
You do not need to diagnose the service. Tell us what you are planning and what you want people to feel, understand or do. We will recommend the strongest format we can assemble.
L.A.-based / available nationwide · Performance / Science / Social
03 / SOCIAL
Not a trick class. A shared practice.
SEJT SOCIAL is artist-led social circus for businesses, institutions, schools, nonprofits, communities and teams. It uses juggling as a concrete practice for attention, repetition, dialogue and learning together.
NOT DIAGNOSTIC. NOT THERAPY. NOT A COMPETITION. COLLECTIVE INQUIRY THROUGH PRACTICE.
Problem-posing, not lecturing.
Participants observe what is happening, name what they notice and build understanding through dialogue rather than receiving a fixed interpretation.
Process before perfection.
The object gives the group something concrete to work with. Dropping is information. Progress is shared, visible and embodied.
Learning lives in the body.
Try, adjust, repeat. The practice makes attention, coordination, frustration and cooperation observable without turning them into abstract slogans.
Inspired by dialogical pedagogy and social-circus practice, SEJT SOCIAL is designed as facilitated collective inquiry. The artist leads the exercise; the group produces the meaning.
Discuss a social format